A Day in London (Une Journée à Londres, 1842)

Gautier, Théophile (1811–1872), translated by Kline, A. S. (contact-email)

Gautier made the first of a number of visits to London, in March 1842, in order to assist in staging the ballet Giselle, the libretto of which he had written in collaboration with Jules-Henri Vernoy de Saint-Georges. In the first performance, on March 12th at Her Majesty’s Theatre, Carlotta Grisi danced the title role, which had brought her instant fame in Paris the previous summer. Gautier gives here his initial impressions of the city, written as a report to his friend Fritz, his nickname for Gérard de Nerval, and published in the collection Zigzags, in 1845.

This enhanced translation of Une Journée à Londres has been designed to offer maximum compatibility with current search engines. Among other modifications, the proper names of people and places, and the titles given to works of art, have been fully researched, modernised, and expanded; comments in parentheses have been added here and there to provide a reference, or clarify meaning; and minor typographic or factual errors, for example incorrect attributions and dates, in the original text, have been eliminated from this new translation.

Author Details

Théophile Gautier (1811-1872) was born in Tarbes, in the Hautes-Pyrénées region of south-west France, his family moving to Paris in 1814. He was a friend, at school, of the poet Gérard de Nerval, who introduced him to Victor Hugo. Gautier contributed to various journals, including La Presse, throughout his life, which offered opportunities for travel in Spain (1840), Algeria (1845, 1862), Italy (1850), Russia (1858-59, 1861), and Egypt (1869). He was a devotee of the ballet, writing a number of scenarios including that of Giselle. At the time of the 1848 Revolution, he expressed strong support for the ideals of the second Republic, a support which he maintained for the rest of his life.

A successor to the first wave of Romantic writers, including Chateaubriand and Lamartine, he directed the Revue de Paris from 1851 to 1856, worked as a journalist for La Presse and Le Moniteur universel, and in 1856 became editor of L’Artiste, in which he published numerous editorials asserting his doctrine of ‘Art for art’s sake’. Saint-Beuve secured him critical acclaim, he became chairman of the Société Nationale des Beaux-Arts in 1862, and in 1868 was granted the sinecure of librarian to Princess Mathilde Bonaparte, a cousin of Napoleon III, having been introduced to her salon.

Gautier remained in Paris during the Franco-Prussian War of 1870-71, and the aftermath of the Commune of 1871, dying of heart disease at the age of sixty-one in 1872.

Though ostensibly a Romantic poet, Gautier may be seen as a forerunner to, or point of reference for, a number of divergent poetic movements including symbolism and modernism.

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Kline, A. S.

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